1993年茨城県出身。2017年に渡欧し、ドイツとフランスで研鑽を積む。ハノーファー音楽演劇大学にて大植英次氏に師事したのち、パリ・エコールノルマル音楽院指揮科を卒業。第15回ドナウ国際指揮者コンクール（2019年、ハンガリー）第2位（1位なし）、第1回デュイスブルク・クラング・クラフト指揮者コンクール（2019年、ドイツ）第4位入選など、国際舞台で実績を重ねる。

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2022年、新国立劇場バレエ団副指揮者のオーディション合格を機に帰国。現在まで、同団の『ジゼル』『くるみ割り人形』『ラ・バヤデール』『ドン・キホーテ』等、数多くの主催公演に携わり研鑽を積む。

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これまでにドナウ交響楽団、デュイスブルク交響楽団、神奈川チェンバー・オーケストラ等を指揮。また、茨城交響楽団、札幌フィルハーモニー管弦楽団等の各地市民オーケストラの客演指揮・指導を行い、継続的な信頼関係を築いている。現在は、作品分析に基づいた音楽作りを軸に、プロ・アマ問わず良き音楽的パートナーとなることを目指し、教育的側面も含む指導と、楽団および聴衆に寄り添った演奏会づくりを心がけている。

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Born in Ibaraki, Japan in 1993, [Your Name] moved to Europe in 2017 to further his musical development in Germany and France. After studying under Eiji Oue at the Hochschule für Musik, Theater und Medien Hannover, he graduated from the conducting department of the École Normale de Musique de Paris. His international recognition includes winning Second Prize (with no first prize awarded) at the 15th Danube International Conducting Competition (Hungary, 2019) and Fourth Prize at the 1st Duisburg Klangkraft Conducting Competition (Germany, 2019).

In 2022, he returned to Japan after successfully auditioning for the position of Assistant Conductor of the National Ballet of Japan. Since then, he has been instrumental in numerous major productions, including Giselle, The Nutcracker, La Bayadère, and Don Quixote. Through these high-profile professional stages, he has cultivated exceptional adaptability and the precise communication skills required to lead complex artistic collaborations.

His guest conducting credits include the Danube Symphony Orchestra, the Duisburg Philharmonic (Klangkraft), and the Kanagawa Chamber Orchestra. He also maintains ongoing relationships with the Ibaraki Symphony Orchestra, the Sapporo Philharmonic Orchestra, and various university orchestras, serving as both a guest conductor and a musical advisor.

Dedicated to being a trusted musical partner for both professional and amateur ensembles, he is highly regarded for his meticulous score analysis and sincere approach to music education. He is committed to creating performances that resonate deeply with both musicians and audiences alike.